Just read an article about it not being easy for writers of hard-boiled crime fiction to avoid imitating Raymond Chandler and recycling some of his signature flourishes… Read more “Don’t Be A Hack”
HARD-BOILED STEAL — From now through Christmas, pick up either one of my gritty and relentless Ed Earl Burch crime thrillers for $2 off the regular paperback… Read more “Bang-Bang Jingle”
Here’s the thing: Facts are a fiction writer’s friend. The more you know, the more facts you gather up in research and travel, the firmer the foundation… Read more “Get It Right, Dumbass”
For more than 30 years, Jim Nesbitt was a roving correspondent for newspapers and wire services in Alabama, Florida, Texas, Georgia, North Carolina, South Carolina and Washington, D.C. He chased hurricanes, earthquakes, plane wrecks, presidential candidates, wildfires, rodeo cowboys, ranchers, miners, loggers, farmers, migrant field hands, doctors, neo-Nazis and nuns with an eye for the telling detail and an ear for the voice of the people who give life to a story. He is a lapsed horseman, pilot, hunter and saloon sport with a keen appreciation for old guns, vintage trucks and tractors, good cigars, aged whiskey and a well-told story. He now lives in Athens, Alabama.
Read more about Nesbitt, his books, and his take on hard-boiled fiction here.
When the phone rings long after midnight, it’s a dead solid certainty bad news and trouble are on the other end of the line. For Dallas private eye Ed Earl Burch, trouble is the lethal kind in Jim Nesbitt’s hard-boiled thriller, The Right Wrong Number, a gritty and relentless saga that races from the gleaming towers and timeworn barrios of Houston to the decadent charms of New Orleans and stark desert mountains of the Texas Big Bend country and northern Mexico.
Burch, a cashiered Dallas homicide detective, is a battered but dogged private investigator with bad knees, a scarred soul and a wounded liver. He’s been hired to protect an old flame in Houston after a body is found in the charred remains of the BMW owned by her missing husband, a high-flying financier.
It’s a simple job that goes wrong fast. Burch finds himself in the middle of a ruthless contest where nothing and nobody can be trusted and money and sex tempt him to break his own rules—temptations served up by the old flame, a rangy and carnal strawberry blonde with a violent temper and a lethal knack for larceny and betrayal. The husband isn’t dead after all: he’s on the run after ripping off the silent partners in his darker deals, some deeply unsavory gentlemen in sleek suits from New Orleans. They give the game a more murderous edge by sending two hitmen to reclaim their stolen goods and kill anybody involved in the score.
When an old Dallas friend gets murdered by hired muscle, Burch blames himself and grimly sets out for vengeance.
Take a deadly ride with Ed Earl Burch. You’ll be glad you did.
Ed Earl Burch, a cashiered vice and homicide detective, has his life narrowed down to chasing financial fugitives from the carnage of the oil bust and savings and loan crash that scarred Dallas in the mid-1980s. Throw in the occasional wayward spouse and a ready eye for the next round of bourbon, sipped with a boot resting on the rail of his favorite saloon.
He’s an ex-jock gone to seed, a private investigator with bad knees and a battered soul. He’s trying to keep at bay the memories of three ex-wives, the violent mistakes that got him booted off the force, a dead partner and the killer who got snuffed before Burch could track him down. Play it smart and cautious. Keep the lines straight. Don’t take a risk. Don’t give a damn. It’s the creed of the terminal burnout and he’s living it a day at a time, drink by drink.
That all changes when Carla Sue Cantrell, a short blonde with ice-blue eyes and a taste for muscle cars, crystal meth and the high-wire double-cross, walks into his life. Pointing a Colt 1911 at his head, she tells him his partner’s killer, a narco named Teddy Roy Bonafacio, is still alive. She forces him into a deadly game where Burch is framed for murder and chased by cops and the narco’s hitman. They’re on the run through the scrubby Texas Hill Country and the high desert of El Paso and northern Mexico, gunning for the same man both want dead – T-Roy, the narco known as El Rojo Loco.
Final destination – kill or be killed.
Take a waltz across Texas with Ed Earl Burch and Carla Sue Cantrell. It’s one helluva dance.
Dallas private eye Ed Earl Burch is an emotional wreck, living on the edge of
madness, hosing down the nightmares of his last case with bourbon and
Percodan, dreading the next onslaught of demons that haunt his days and nights,
including a dead man who still wants to carve out his heart and eat it.
Burch is also a walking contradiction. Steady and relentless when working a
case. Tormented and unbalanced when idle. He’s deeply in debt to a shyster
lawyer who holds the note on his business and forces him to take the type of
case he loathes — divorce work, peephole creeping to get dirt on a wayward
Work with no honor. Work that reminds him of how far he’s fallen since he lost
the gold shield of a Dallas homicide detective. Work in the stark and harsh
badlands of West Texas and border country where he almost got killed and his
What he longs for is the clarity and sense of purpose he had when he carried that
gold shield and chased killers for a living. Smoke ‘em or cuff ‘em. The adrenaline
spike of the showdown. Justice served — by his gun or the long arm of the law.
Burch forgets something he used to know by heart. Be careful what you wish for.
You just might get it. And it might just get you killed.
I’ve always loved hard-boiled American detective novels, be they mysteries or crime thrillers, and cut my teeth on the masters — Dashiell Hammett, Raymond Chandler and James M. Cain. I firmly believe this is an American art form that, at its best, rises above the whodunit or violent roller-coaster ride. Three latter-day masters, all of them dead Texans, are also in my personal Hall of Fame — Max Crawford, Milton T. Burton and James Crumley. Of the three, Crumley, who wrote gritty and over-the-top stories laced with drugs, sex and violence, has probably had the greatest influence on my writing.
Here is a short list of the authors I currently follow:
And some of the crime fiction blogs and websites I’m following:
Bookpostmortem, Peter J. Earle’s review blog
The Thrilling Detective, Kevin Burton Smith’s blog
Detectives Beyond Borders, Peter Rozovsky’s blog
Killer Nashville, the mother ship for Clay Stafford’s magazine, conference and crime fiction review empire